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c. 1445 – May 17, 1510. Italian painter.

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Nicolas Poussin
Cephalus und Aurora

ID: 74143

Nicolas Poussin Cephalus und Aurora
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Nicolas Poussin Cephalus und Aurora


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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | Landscape with Three Men (mk08) | Landscape with Diogenes | Apollo and Daphne 1625Oil on canvas | The Shepherds of Arcadia (mk05) | The Holy Family on the Steps |
Related Artists:
Jean-Louis Hamon
Plouha 1821 - Saint - Raphael, 1874. French Academic Painter, 1821-1874. Studied under Charles Gleyre. French Academic Painter, 1821-1874. Studied under Charles Gleyre. French painter and designer. He was encouraged to practise drawing by the Brothers of the Christian Doctrine at Lannion. Through the intervention of Felicite-Robert de Lamennais (1782-1854), he was made drawing-master at a religious seminary at Ploermel, Brittany, although at this stage he had received no instruction and had never seen an oil painting. In 1840 he asked his conseil general for help and left for Paris the following year with a grant of 500 francs. He went to Delaroche's studio, where he made friends with Picou, Jean-Leon Gereme, Jean Aubert (1824-1906) and Jean Eugene Damery (1823-53). Charles Gleyre, who took over Delaroche's studio in 1843, encouraged and protected him during years of poverty.
FIGINO, Giovanni Ambrogio
Italian painter, Lombard school (b. ca. 1551, Milano, d. 1608, Milano) was an Italian Renaissance painter from Milan. An important representative of the Lombard school of painting, he had been taught by Giovanni Paolo Lomazzo. Best known as a draftsman, he was also a skilled portrait painter. Among the few portraits that can be traced back to Figino, the portrait of Field Marshal Lucio Foppa is one of the best known. On January 25, 2001, his Portrait of Giovanni Angelo was auctioned at Sotheby's for US$ $1,435,750; after a high estimate of US$ 180,000[1]. The organ shutters for the Cathedral of Milan were painted after 1590 by Ambrogio, Camillo Procaccini, and Giuseppe Meda, depicting the Passage of the Red Sea and the Ascencion of Christ. In the Castello Sforcesco there is a painting of his of Saint Ambrose expelling the Arians. A still life painting, a thematic uncommon among Italians of his day, of peaches is attributed to him He also painted in Milan an Immaculate conception for Sant'Antonio,
Erik Johan lofgren
Erik Johan Löfgren (15. lokakuuta 1825 Turku -- 10. joulukuuta 1884) oli suomalainen taidemaalari. Löfgrenin vanhemmat olivat kauppias Johan Gabriel Löfgren ja Katarina Erikintytär o.s. Vahlsten. Hän opiskeli T. J. Leglerin johdolla Ruotsin kuninkaallisessa taideakatemiassa Tukholmassa 1842?C1850 ja sitten D??sseldorfin taideakatemiassa O. Mengelbergin ja F. Th. Hildebrandtin johdolla 1853?C1858. Löfgren toimi taulujen restauroijana Tukholmassa 1842?C1853 ja myöhemmin 1870-luvulla hän oli opettajana Helsingin yliopiston piirustussalissa. Hänen maalaustyylinsä oli lyyrisen romanttista ja hän maalasi muotokuvia sekä historian tapahtumista aiheensa saaneita maalauksia.






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